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艺术永远不会忘记

案例简介：“艺术永远不会忘记” 项目希望将马里亚纳 (MG) 的悲剧带回公众辩论。在 AlmapBBDO 发起的一项倡议中, 泛美艺术与设计学院派校友和视觉艺术家马塞洛 · 托伦蒂诺参观这个泥泞不堪的地区，并听取那些在巴西历史上最大的环境灾难中失去一切的人的故事。摧毁这座城市的泥浆正在转化为艺术，以马里亚纳受害者的肖像的形式出现。在摄影师亚历克斯 · 高崎的陪同下，马塞洛去了悲剧现场，会见了受害者，收集了摧毁当地生态系统并对马里亚纳居民生活造成严重破坏的泥浆。有了这种材料，他开始复制那些个人受到泥浆雪崩影响的人的脸。为了确保这些作品能吸引到合适的观众，这些肖像在巴西利亚的街道上展出，就在离国会不远的露天展览中。这样，错过众议院议会委员会最后两届会议的政治家们将在马里亚纳讨论这场悲剧 (这两届会议都因缺乏法定人数而被取消) 我们可以想起这场悲剧，这场悲剧永远不会从受害者的记忆中抹去。 “艺术永远不会忘记” 强化了艺术在记录和翻译人类历史上的悲剧时刻中的作用，就像毕加索的画格尔尼卡一样, 回顾西班牙内战期间对格尔尼卡市的轰炸。该倡议不仅寻求恢复围绕马里亚纳的讨论, 但也为那些将不得不重新振作起来的人的形象和身份在历史上找到了一个位置，他们没有从那些在最伟大的时代之后负责行动的人那里找到真正的支持 2015年环境灾难。

艺术永远不会忘记

案例简介：The “Art Never Forgets” project wants to bring the tragedy at Mariana (MG) back to the public debate. In an initiative created by AlmapBBDO, the Panamericana School of Art and Design sent alumnus and visual artist Marcelo Tolentino to visit the mud-ravaged region and hear the stories of those who lost everything in the largest environmental catastrophe in the history of Brazil. The mud that devastated the city is being transformed into art, taking the form of portraits of the victims of Mariana. Accompanied by photographer Alex Takaki, Marcelo went to the site of the tragedy, met the victims and collected the mud that had decimated the local ecosystem and wreaked havoc on the lives of those living in Mariana. With this material, he started the process of reproducing the faces of those personally impacted by the avalanche of mud. In an attempt to make sure that the works made it to the right audience, the portraits are on display along the streets of Brasília, in a sort of open-air exhibition not far from Congress. That way, the politicians who missed the last two sessions of the parliamentary commission in the Chamber of Deputies set to discuss the tragedy at Mariana (both sessions were canceled for a lack of quorum) can be reminded of the tragedy, which will never be erased from the memories of its victims. “Art Never Forgets” reinforces the role of art in recording and translating tragic moments in the history of humanity, such as was the case with Picasso’s painting Guernica, recalling the bombing of the city of Guernica during the Spanish Civil War. The initiative seeks not only to revive the discussion around Mariana, but also find a place in History for the images and identities of those who will have to put their lives back together and have not found real support from those tasked to act in the wake of the greatest environmental disaster of 2015.