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        Quadricorn 4短视频广告营销案例

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        Quadricorn 4

        案例简介：AMERISTAR & CANNONBALL 与 TWIST 导演马特 · 皮特罗夫继续取得成功 纽约和明尼阿波利斯 (2012年11月6日) Twist 的国家喜剧导演马特 · 皮特罗夫继续他与广告公司 Cannonball 在 Ameristar 赌场的多点 2012 “活口” 活动上的多产和成功合作。最新的节目最近开始播出，其中包括皮特罗弗敏锐地指导包含广泛视觉效果的项目的能力。 要查看最新一轮的 Ameristar 活动，请访问此处: http://bit.ly/Tzq8Pv 皮特罗夫说，美国之星的工作从未停止提供挑战和丰厚的回报。Round 第四轮也没有什么不同。我们拍摄了古埃及、海盗和晚期 1700，这是荒谬概念和高生产价值的完美结合。地点、布景、服装和电影摄影以一种非常特殊的方式结合在一起。这是其中的一张照片，让我想起了我们的船员和合作伙伴是多么的巧妙和才华横溢。我们都要炫耀一下，这总是很有趣，并且在片场有很好的氛围。问题是创意酒吧一直在提高。坦率地说，想到它下一步可能会走向何方是可怕的。我一直在做一个关于一个叫世界末日小猫的老虎机 recurring 噩梦。 除了上个月拍摄 Ameristar 景点，皮特罗夫还被选为纽约的一个小组讨论，讨论他丰富的视觉效果经验，包括他在 Ameristar 活动中的工作。该小组的主题是 “ph的后期制作大师班” 的一部分，panel 小组的标题是 “现场后期制作: 实现这个想法”。” 马特在小组中指出，作为一名导演，他从不害怕面临的挑战 -- 只是兴奋，amy评论了总部位于纽约的 Twist 执行制片人 Amyliz Pera。看着马特工作很有趣 -- 解决问题并谈判如何让每个人都尽可能开心，同时把他的箭瞄准创造性的完整性。谈到视觉特效，马特还提到他的工作是首先探索镜头内的选项。当他从燃烧的飞机上自由落体时，是时候给他一个射击的地方了。我肯定他能让它变得有趣。 “从一开始就很容易和马特一起工作，但是在一起做了几个以上的作品后，这种合作变得更加强大、更加根深蒂固，甚至更加富有成效, ” 炮弹的团队。我们喜欢它，并且必须不断提醒自己不要把它视为理所当然。" Twist 的 Matt Pittroff 目前正在拍摄一个新的科罗拉多彩票，将于今年秋天晚些时候播出。Pittroff 最近的其他项目包括 Affinity Plus Credit Union 的一个侧翻点 (在《摄影杂志》中被评为 2011年前五名之一，也是它备受尊敬的 “你可能永远看不到的最佳作品” 专栏) 以及为 nascares 2011 全国系列举办的滑稽的三点式活动。Twist 导演马克 · 安德烈 · 德布劳内为缅因州医疗中心拍摄了他的第一个美国商业项目，并为加拿大音乐艺术家泰勒 · 梅德罗斯完成了他的 100 个音乐视频，之后被任命为 2012 MuchMusic video 年度导演奖项。Debruyne 还为红门和雀巢导演了国际景点; 而导演 Rich Michell 为 NetApps 、 Johnsonville 和 Fresh Wave 拍摄项目。Twist 团队需要关注的其他项目包括由马特 · 皮特罗夫执导的 CenturyLink 的新活动; 格雷迪 · 库珀的新目标点; 以及导演克里斯 · 斯托克史密斯为你获得的受欢迎的美国在线 “继续工作.series 系列。 关于扭曲导演马特 · 皮特洛夫: 马特是一名学生，他在早期的美术学习和作为中途 carny 的工作中，对色彩和构图有着敏锐的洞察力。他在这个行业获得了许多视角，从在广告代理公司工作到制作，在那里他在电话单上找到了艺术部门的一个利基。随后，他开了一家精品制作公司，在那里他导演和制作了一些作品，这些作品已经在创意在线、拍摄和戛纳狮子 2008 等地方展示。去年年底, matt's side-splitting spot for Twist 和 Affinity Plus Credit Union 被评为 2011 年《射击》杂志的前五名之一，也是它备受尊敬的 “你可能从未见过的最佳作品” 专栏。他最近与麦当劳、百事可乐、托罗、白城堡、 Rite Aid 、地铁、固特异、纳斯卡、斯普林特、世纪链接和 Ameristar 赌场等民族品牌合作。

        Quadricorn 4

        案例简介：AMERISTAR & CANNONBALL CONTINUE SUCCESS WITH TWIST DIRECTOR MATT PITTROFF New York & Minneapolis – (November 6, 2012) – National Comedy Director Matt Pittroff of Twist continues his prolific and successful collaboration with ad agency Cannonball on the multi-spot 2012 “Slots Alive Campaign” for Ameristar Casinos. The newest spots began airing recently, and feature Pittroff’s keen ability to direct projects that incorporate extensive visual effects. To view the newest round of the Ameristar campaign, go here: http://bit.ly/Tzq8Pv “The Ameristar work never ceases to offer challenges and big rewards,” says Pittroff. “Round 4 was no different. We got to shoot Ancient Egypt, Pirates, and the late 1700s, which was a perfect marriage of ridiculous concept and high-production value. The locations, sets, costumes, and cinematography came together in a pretty special way. It was one of those shoots that reminded me how artful and talented our crew and partners really are. We all got to show off a little bit, which is always fun and makes for a great vibe on-set. The problem is the creative bar just keeps getting raised. Frankly, it's horrifying to think where it may go next. I keep having a recurring nightmare about a slot machine called ‘Apocalyptic Kitty.’” In addition to shooting Ameristar spots last month, Pittroff was also chosen for a panel discussion in New York about his extensive visual effects experience including his work on the Ameristar campaign. Part of the “Createasphere’s Post Production Master Class,” the panel was entitled “Post Production For Spots: Delivering On The Idea.” “Matt noted in the panel that he's never afraid of the challenges in front of him as a Director -- only excited,” comments Amyliz Pera, Executive Producer for Twist, based in New York. “It's fun to watch Matt work -- to problem solve and negotiate how to make everyone as happy as possible, while aiming his arrow at creative integrity. Speaking about VFX, Matt also mentioned his job was to explore in-camera options first. It's time for someone to give him a spot to shoot as he free-falls from a burning plane. I'm sure he could make it funny.” "It was really easy to work with Matt from the beginning, but after doing more than a few productions together, that collaboration has become stronger, more ingrained, and even more productive,” says the Cannonball team. “We love it, and have to keep reminding ourselves not to take it for granted." Twist’s Matt Pittroff is currently shooting a new Colorado Lottery spot, which will air later this fall. Other recent projects for Pittroff include a sidesplitting spot for Affinity Plus Credit Union (named one of the top five spots of 2011 in “Shoot Magazine” and its highly respected “Best Work You May Never See” column) and a comical three-spot campaign for NASCAR’s 2011 Nationwide series. Twist Director Marc André Debruyne shot his first American commercial project for Maine Medical Center and completed his 100th music video for Canadian music artist Tyler Medeiros before being named “Director of the Year” at the 2012 MuchMusic Video Awards. Debruyne also just directed international spots for Red Door and Nestle; while Director Rich Michell shot projects for NetApps, Johnsonville and Fresh Wave. Additional projects to watch for from the Twist team include a new campaign for CenturyLink, directed by Matt Pittroff; a new Target spot from Grady Cooper; as well as continued work from Director Chris Stocksmith for the popular AOL “You’ve Got...” series. About Twist Director Matt Pittroff: Matt is a student of people with an eye for color and composition – skills honed during his early studies of fine art and work as a midway carny. He has garnered a multitude of perspectives in the industry, from working at an ad agency to production, where he worked his way up the call sheet finding a niche in the Art Department. Subsequently, he opened a boutique production company, Working Stiff, where he directed and produced work that has been showcased in such places as Creativity Online, Shoot, and at Cannes Lions 2008. Late last year, Matt’s side-splitting spot for Twist and Affinity Plus Credit Union was named one of the “Top 5 Spot of 2011” in Shoot Magazine and its highly respected “Best Work You May Never See” column. He has collaborated recently with such national brands as McDonald’s, Pepsi Max, Toro, White Castle, Rite Aid, Subway, Goodyear, Nascar, Sprint, Century Link, and Ameristar Casinos.

        Quadricorn 4

        案例简介：AMERISTAR & CANNONBALL 与 TWIST 导演马特 · 皮特罗夫继续取得成功 纽约和明尼阿波利斯 (2012年11月6日) Twist 的国家喜剧导演马特 · 皮特罗夫继续他与广告公司 Cannonball 在 Ameristar 赌场的多点 2012 “活口” 活动上的多产和成功合作。最新的节目最近开始播出，其中包括皮特罗弗敏锐地指导包含广泛视觉效果的项目的能力。 要查看最新一轮的 Ameristar 活动，请访问此处: http://bit.ly/Tzq8Pv 皮特罗夫说，美国之星的工作从未停止提供挑战和丰厚的回报。Round 第四轮也没有什么不同。我们拍摄了古埃及、海盗和晚期 1700，这是荒谬概念和高生产价值的完美结合。地点、布景、服装和电影摄影以一种非常特殊的方式结合在一起。这是其中的一张照片，让我想起了我们的船员和合作伙伴是多么的巧妙和才华横溢。我们都要炫耀一下，这总是很有趣，并且在片场有很好的氛围。问题是创意酒吧一直在提高。坦率地说，想到它下一步可能会走向何方是可怕的。我一直在做一个关于一个叫世界末日小猫的老虎机 recurring 噩梦。 除了上个月拍摄 Ameristar 景点，皮特罗夫还被选为纽约的一个小组讨论，讨论他丰富的视觉效果经验，包括他在 Ameristar 活动中的工作。该小组的主题是 “ph的后期制作大师班” 的一部分，panel 小组的标题是 “现场后期制作: 实现这个想法”。” 马特在小组中指出，作为一名导演，他从不害怕面临的挑战 -- 只是兴奋，amy评论了总部位于纽约的 Twist 执行制片人 Amyliz Pera。看着马特工作很有趣 -- 解决问题并谈判如何让每个人都尽可能开心，同时把他的箭瞄准创造性的完整性。谈到视觉特效，马特还提到他的工作是首先探索镜头内的选项。当他从燃烧的飞机上自由落体时，是时候给他一个射击的地方了。我肯定他能让它变得有趣。 “从一开始就很容易和马特一起工作，但是在一起做了几个以上的作品后，这种合作变得更加强大、更加根深蒂固，甚至更加富有成效, ” 炮弹的团队。我们喜欢它，并且必须不断提醒自己不要把它视为理所当然。" Twist 的 Matt Pittroff 目前正在拍摄一个新的科罗拉多彩票，将于今年秋天晚些时候播出。Pittroff 最近的其他项目包括 Affinity Plus Credit Union 的一个侧翻点 (在《摄影杂志》中被评为 2011年前五名之一，也是它备受尊敬的 “你可能永远看不到的最佳作品” 专栏) 以及为 nascares 2011 全国系列举办的滑稽的三点式活动。Twist 导演马克 · 安德烈 · 德布劳内为缅因州医疗中心拍摄了他的第一个美国商业项目，并为加拿大音乐艺术家泰勒 · 梅德罗斯完成了他的 100 个音乐视频，之后被任命为 2012 MuchMusic video 年度导演奖项。Debruyne 还为红门和雀巢导演了国际景点; 而导演 Rich Michell 为 NetApps 、 Johnsonville 和 Fresh Wave 拍摄项目。Twist 团队需要关注的其他项目包括由马特 · 皮特罗夫执导的 CenturyLink 的新活动; 格雷迪 · 库珀的新目标点; 以及导演克里斯 · 斯托克史密斯为你获得的受欢迎的美国在线 “继续工作.series 系列。 关于扭曲导演马特 · 皮特洛夫: 马特是一名学生，他在早期的美术学习和作为中途 carny 的工作中，对色彩和构图有着敏锐的洞察力。他在这个行业获得了许多视角，从在广告代理公司工作到制作，在那里他在电话单上找到了艺术部门的一个利基。随后，他开了一家精品制作公司，在那里他导演和制作了一些作品，这些作品已经在创意在线、拍摄和戛纳狮子 2008 等地方展示。去年年底, matt's side-splitting spot for Twist 和 Affinity Plus Credit Union 被评为 2011 年《射击》杂志的前五名之一，也是它备受尊敬的 “你可能从未见过的最佳作品” 专栏。他最近与麦当劳、百事可乐、托罗、白城堡、 Rite Aid 、地铁、固特异、纳斯卡、斯普林特、世纪链接和 Ameristar 赌场等民族品牌合作。

        Quadricorn 4

        案例简介：AMERISTAR & CANNONBALL CONTINUE SUCCESS WITH TWIST DIRECTOR MATT PITTROFF New York & Minneapolis – (November 6, 2012) – National Comedy Director Matt Pittroff of Twist continues his prolific and successful collaboration with ad agency Cannonball on the multi-spot 2012 “Slots Alive Campaign” for Ameristar Casinos. The newest spots began airing recently, and feature Pittroff’s keen ability to direct projects that incorporate extensive visual effects. To view the newest round of the Ameristar campaign, go here: http://bit.ly/Tzq8Pv “The Ameristar work never ceases to offer challenges and big rewards,” says Pittroff. “Round 4 was no different. We got to shoot Ancient Egypt, Pirates, and the late 1700s, which was a perfect marriage of ridiculous concept and high-production value. The locations, sets, costumes, and cinematography came together in a pretty special way. It was one of those shoots that reminded me how artful and talented our crew and partners really are. We all got to show off a little bit, which is always fun and makes for a great vibe on-set. The problem is the creative bar just keeps getting raised. Frankly, it's horrifying to think where it may go next. I keep having a recurring nightmare about a slot machine called ‘Apocalyptic Kitty.’” In addition to shooting Ameristar spots last month, Pittroff was also chosen for a panel discussion in New York about his extensive visual effects experience including his work on the Ameristar campaign. Part of the “Createasphere’s Post Production Master Class,” the panel was entitled “Post Production For Spots: Delivering On The Idea.” “Matt noted in the panel that he's never afraid of the challenges in front of him as a Director -- only excited,” comments Amyliz Pera, Executive Producer for Twist, based in New York. “It's fun to watch Matt work -- to problem solve and negotiate how to make everyone as happy as possible, while aiming his arrow at creative integrity. Speaking about VFX, Matt also mentioned his job was to explore in-camera options first. It's time for someone to give him a spot to shoot as he free-falls from a burning plane. I'm sure he could make it funny.” "It was really easy to work with Matt from the beginning, but after doing more than a few productions together, that collaboration has become stronger, more ingrained, and even more productive,” says the Cannonball team. “We love it, and have to keep reminding ourselves not to take it for granted." Twist’s Matt Pittroff is currently shooting a new Colorado Lottery spot, which will air later this fall. Other recent projects for Pittroff include a sidesplitting spot for Affinity Plus Credit Union (named one of the top five spots of 2011 in “Shoot Magazine” and its highly respected “Best Work You May Never See” column) and a comical three-spot campaign for NASCAR’s 2011 Nationwide series. Twist Director Marc André Debruyne shot his first American commercial project for Maine Medical Center and completed his 100th music video for Canadian music artist Tyler Medeiros before being named “Director of the Year” at the 2012 MuchMusic Video Awards. Debruyne also just directed international spots for Red Door and Nestle; while Director Rich Michell shot projects for NetApps, Johnsonville and Fresh Wave. Additional projects to watch for from the Twist team include a new campaign for CenturyLink, directed by Matt Pittroff; a new Target spot from Grady Cooper; as well as continued work from Director Chris Stocksmith for the popular AOL “You’ve Got...” series. About Twist Director Matt Pittroff: Matt is a student of people with an eye for color and composition – skills honed during his early studies of fine art and work as a midway carny. He has garnered a multitude of perspectives in the industry, from working at an ad agency to production, where he worked his way up the call sheet finding a niche in the Art Department. Subsequently, he opened a boutique production company, Working Stiff, where he directed and produced work that has been showcased in such places as Creativity Online, Shoot, and at Cannes Lions 2008. Late last year, Matt’s side-splitting spot for Twist and Affinity Plus Credit Union was named one of the “Top 5 Spot of 2011” in Shoot Magazine and its highly respected “Best Work You May Never See” column. He has collaborated recently with such national brands as McDonald’s, Pepsi Max, Toro, White Castle, Rite Aid, Subway, Goodyear, Nascar, Sprint, Century Link, and Ameristar Casinos.

        Quadricorn 4

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