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ins-“我会把我的视觉美学描述为在发光和怪诞之间骑着这条细线，立刻身体和
案例简介：艺术家 @ lauracatherinesoto (劳拉·索托) 解释说: “我会把我的视觉美学描述为在发光和怪诞之间的这条细线，既身体又熟悉又陌生。” 劳拉利用人造材料以直接和间接的方式创造了模仿自然世界的雕塑: 由纤维制成的大型形式，在介质的重量下会发生变化。她的创造性，挖掘过程是创造与破坏之间不断变化的过程之一，这可能需要数年才能解决。“贝壳，岩石和沉积物是我永恒的缪人。对自然的模仿来自这种实验-将 “不应该” 混合的东西混合在一起，观察阻力并在混合物中分层混合。我希望对我的工作的回应从超越到排斥，就像探索潮汐池的经历，好奇心和困惑…… 邀请探索。”@ lauracatherinesoto的照片
ins-“我会把我的视觉美学描述为在发光和怪诞之间骑着这条细线，立刻身体和
案例简介：“I would describe my visual aesthetic as riding this fine line between the luminous and the grotesque, at once bodily and familiar yet alien,” explains artist @lauracatherinesoto (Laura Soto).Laura creates sculptures that mimic the natural world, in direct and indirect ways, utilizing human-made materials: large forms built of fiber that transform under the weight of media amassed. Her creative, excavation process is one of continual ebb and flow between creation and destruction which can take years to resolve.“Shells and rock and sediment are my eternal muses. The emulation of nature comes from this experimentation — mixing things together that ‘shouldn’t be’ mixed, observing the resistance and layering up concoction upon concoction. I hope that the response to my work runs the gamut from transcendence to repulsion, much like the experience of exploring a tide pool, a sense of curiosity and confusion… an invitation to explore.”Photos by @lauracatherinesoto
ins - “I would describe my visual aesthetic as riding this fine line between the luminous and the grotesque, at once bodily and
案例简介：艺术家 @ lauracatherinesoto (劳拉·索托) 解释说: “我会把我的视觉美学描述为在发光和怪诞之间的这条细线，既身体又熟悉又陌生。” 劳拉利用人造材料以直接和间接的方式创造了模仿自然世界的雕塑: 由纤维制成的大型形式，在介质的重量下会发生变化。她的创造性，挖掘过程是创造与破坏之间不断变化的过程之一，这可能需要数年才能解决。“贝壳，岩石和沉积物是我永恒的缪人。对自然的模仿来自这种实验-将 “不应该” 混合的东西混合在一起，观察阻力并在混合物中分层混合。我希望对我的工作的回应从超越到排斥，就像探索潮汐池的经历，好奇心和困惑…… 邀请探索。”@ lauracatherinesoto的照片
ins - “I would describe my visual aesthetic as riding this fine line between the luminous and the grotesque, at once bodily and
案例简介：“I would describe my visual aesthetic as riding this fine line between the luminous and the grotesque, at once bodily and familiar yet alien,” explains artist @lauracatherinesoto (Laura Soto).Laura creates sculptures that mimic the natural world, in direct and indirect ways, utilizing human-made materials: large forms built of fiber that transform under the weight of media amassed. Her creative, excavation process is one of continual ebb and flow between creation and destruction which can take years to resolve.“Shells and rock and sediment are my eternal muses. The emulation of nature comes from this experimentation — mixing things together that ‘shouldn’t be’ mixed, observing the resistance and layering up concoction upon concoction. I hope that the response to my work runs the gamut from transcendence to repulsion, much like the experience of exploring a tide pool, a sense of curiosity and confusion… an invitation to explore.”Photos by @lauracatherinesoto
ins-“我会把我的视觉美学描述为在发光和怪诞之间骑着这条细线，立刻身体和
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ins - “I would describe my visual aesthetic as riding this fine line between the luminous and the grotesque, at once bodily and
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